La música de Penderecki en El Resplandor de Kubrick
ISSN: 2014-4660
Year of publication: 2018
Issue: 11
Pages: 147-166
Type: Article
More publications in: Etno: Cuadernos de Etnomusicología
Abstract
Music in Kubrick’s films in general and in The Shining in particular, has a great relevance. In it’s essential due The extremely clever use of music has been a solid influence on following film music, especially in terror genre, creating an easily recognizable so-called “Penderecki style”. This article analyzes how Penderecki’s works are used in each sequence, underlying associations and Gordon Stainforth (music film editor) and Kubrick intentions to recreate the oppressive atmosphere surrounding the characters at Overlook Hotel. Therefore, these works change their meaning and imbued with the film pictures, they create an impact on the audience, substantially modifying Penderecki’s intentions when he wrote them.
Bibliographic References
- Aguilera, Cristian y Carreras, Jaume. 1999. Una odisea creativa. Barcelona: Dirigido por…
- Barham, Jeremy M. 2009. 'Incorporating Monsters: Music as Context, Character and Construction in Kubrick’s "The Shining"'. Hayward (ed.), Terror Tracks. Music and Sound in Horror Cinema, 137-170. London: Equinox Press. http://www.equinoxpub.com/homemain.asp [Consulta: 01/10/17].
- Fuentefría, David. 2008. “La música en las películas de Kubrick”. En 2001: La música del futuro, ed. Santos, Alberto, 162-186. Tenerife: Fimucité y Madrid: Imágica Ediciones.
- Kuberski, Philip. 2012. Kubrick’s Total Cinema. London: Continuum.
- Lee Gengaro, C. 2014. Listening to Stanley Kubrick: The music in his films. London: Rowman & Littlefield.
- López Román, Alejandro. 2014. Análisis Musivisual: una aproximación al estudio de la música cinematográfica. Director Simón Marchán Fiz. UNED, Madrid.
- Schultheis, Bernd. 2007. “Expanse of Posibilities: Stanley Kubrick’s Soundtracks in Notes”. Stanley Kubrick Catalogue, 2ª ed. 266-279. Frankfurt am Main: Deutches Filmmusseum.