Tópicos músico-coréuticos en la tonadilla escénica dieciochescafunciones semióticas de la música de danzas y bailes en las tonadillas de Jacinto Valledor (1744-1809)

  1. Aurèlia Pessarrodona 1
  1. 1 Universitat Autònoma de Barcelona
    info

    Universitat Autònoma de Barcelona

    Barcelona, España

    ROR https://ror.org/052g8jq94

Book:
Músicas e saberes em trânsito
  1. Moreno Fernandez, Susana (coord.)
  2. Roxo, Pedro (coord.)
  3. Iván Iglesias Iglesias (coord.)

Publisher: Edições Colibri

ISBN: 978-989-689-242-5

Year of publication: 2012

Type: Book chapter

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Abstract

The abundance of dance music in eighteenth-century tonadilla has been normally understood as a folkloristic and realistic manifestation of casticismo, associated with a national claim. However, through some examples from Jacinto Valledor’s tonadillas, we prove that dance music elements were used as topics with many semiotic functions, in order to get very effective works on the stage according to eighteenth-century aesthetics and the peculiar dramaturgy of the tonadilla.

Data source: Dialnet